Search results
27 results
Paid in Blood (South Korea, 2021)
Colleen Wanglund reviews Yoon Young-bin's crime drama Paid in Blood.
Interview with Azusa Hieda, Director of Summer Wedding [OAFF 2022]
Azusa Hieda’a short film Summer Wedding received its World Premiere at the Osaka Asian Film Festival 2022 where it was one of the few films to directly use the Covid-19…
Guidance (China, 2021)
John Atom reviews Neysan Sobhani's science fiction film Guidance.
Interview with Kasho Iizuka, Director of Angry Son [OAFF 2022]
Jason Maher talks to Kasho Iizuka about his drama Angry Son.
Out of TOKYO 202x (Japan, 2022) [OAFF 2022]
Jason Maher reviews Akinori Ikuse's short film Out of TOKYO 202x.
Interview with Daisuke Miyazaki, Director of North Shinjuku 2055 [OAFF 2022]
Jason Maher talks to Daisuke Miyazaki about his sci-fi short North Shinjuku 2055.
North Shinjuku 2055 (Japan, 2022) [OAFF 2022]
Jason Maher reviews Daisuke Miyazaki's sci-fi short North Shinjuku 2055.
Interview with M Haris Sheikh, Director of Howling (OAFF 2022)
Jason Maher talks to Howling director M Haris Sheikh.
The Girl on a Bulldozer (South Korea, 2021) [OAFF 2022]
John Atom reviews Park Ri-Woong's social drama The Girl on a Bulldozer.
Striding Into the Wind (China, 2020)
Azalia Muchransyah reviews Wei Shujun's debut feature Striding Into the Wind.
36 Deadly Styles (Hong Kong/Taiwan, 1982)
Colleen Wanglund reviews Joseph Kuo's martial arts movie 36 Deadly Styles.
Schemes in Antiques (China, 2021)
John Atom reviews Derek Kwok's action-adventure Schemes in Antiques.
Double Layered Town / Making a Song to Replace Our Positions (Japan, 2020) [JAPAN CUTS 2021]
Jason Maher reviews Haruka Komori and Natsumi Seo's documentary Double Layered Town / Making a Song to Replace Our Positions.
School Radio to Major Tom (Japan, 2021) [JAPAN CUTS 2021]
Jason Maher reviews Takuya Chisaka's short film School Radio to Major Tom.
Time (Hong Kong, 2021) [NYAFF 2021]
Wilson Kwong reviews Ricky Ko's comedy-drama Time.
A Song for You (China, 2020) [NYAFF 2021]
Rowena Santos Aquino reviews Dukar Tserang's road movie A Song for You.
The Fable: The Killer Who Doesn’t Kill (Japan, 2021) [NYAFF 2021]
Jason Maher reviews Kan Eguchi's sequel The Fable: The Killer Who Doesn't Kill.
Escape from Mogadishu (South Korea, 2021) [NYAFF 2021]
South Korean cinema is no longer the producer of small and idiosyncratic films that have to seep through the cracks of international cinema. It hasn’t been for years.…
JAPAN CUTS Returns for Hybrid 15th Edition from August 20 – September 2
JAPAN CUTS Returns for Hybrid 15th Edition from August 20 – September 2
Korean Film Nights Presents In Transit, July 29 — August 10
Korean Film Nights Presents In Transit, July 29 — August 10
Shadows (Hong Kong, 2020) [CVF 2021]
Grant Watson reviews Glenn Chan's psychological thriller Shadows.
Life’s Extremes: Kazuo Hara and Sachiko Kobayashi’s Shifting Documentary Practices and Trilogy of “Living Dissent”
From June 4 to July 2, 2021, Japan Society’s retrospective “Cinema as Struggle: The Films of Kazuo Hara and Sachiko Kobayashi” celebrates the 50th Anniversary of Shisso Productions,…
Undercover Punch & Gun (Hong Kong, 2019)
Wilson Kwong reviews Frankie Tam and Philip Lui's action movie Undercover Punch and Gun.
Junho (South Korea/USA, 2021) [CAAMFest 2021]
John Atom reviews David Boo's topical drama Junho.
Interview with Satoko Yokohama, Director of Ito [OAFF 2021]
Jason Maher talks to Ito director Satoko Yokohama.
Gotō-san (Japan, 2020) [OAFF 2021]
Jason Maher reviews Hiroshi Gokan's capitalist critique Gotō-san.
Interview with JOINT Director Oudai Kojima [OAFF 2021]
Jason Maher talks to JOINT Director Oudai Kojima.