Details on the line-up for Japan Cuts 2024 (July 10th – July 21st))
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Nakamura succeeds in making the spectator care for Maria and impact him/her emotionally with her tragedy.
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Winny (2023) review [Japan Cuts 2023]
Matsumoto offers a serene insight in how the Other of the law curtails a subject and, indirectly, sabotages the prospects of a new industry.
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Konaka offers the spectator a heartwarming invitation to re-find, within oneself, one’s (nearly extinguished) passion for creation.
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Miyazaki creates a moody narrative that highlights the equivocal functionality of music for the subject as well as the destructive impact of not being able to create an…
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Robinson’s Garden (1988) [Japan Cuts 2021]
“Yamamoto is not able to create a composition that engages the spectator with its highly relevant message.”
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Hand (2022) review [Japan Cuts 2023]
Matsui avoids delivering an exploitative erotic piece merely to be enjoyed by male audiences.
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Amiko (2022) review [Japan Cuts 2023]
A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as…
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Kiba: Fangs of Fiction (2021) review [Japan Cuts 2021]
“Daihachi Yoshida succeeds in turning Shiota’s interesting story and fascinating world of publishing and bookstores into an engaging and pleasant filmic narrative.”
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Jason Maher reviews Takuya Chisaka's short film School Radio to Major Tom.
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Blind Bombing, Filmed by a Bat (2019) review [Japan Cuts 2020]
Introduction Kota Takeuchi is man of many creative talents, but whatever he does – be it painting, filming, or sculpting – it is related to historical or contemporary…
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Double Layered Town / Making a Song to Replace Our Positions (Japan, 2020) [JAPAN CUTS 2021]
Jason Maher reviews Haruka Komori and Natsumi Seo's documentary Double Layered Town / Making a Song to Replace Our Positions.
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The Three Sisters of Tenmasou Inn (2022) review [Japan Cuts 2023]
Those spectators that love to release their stress by releasing tears will be very satisfied by Kitamura’s narrative.
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The Goldfish Dreaming Of The Sea (2021) review [Japan Cuts 2021]
“Ogawa’s thoughtful lyricism that gives the emotionality of the performances their power to touch the spectator and enables her exploration of the difficulty to separate from one’s mother…
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By being able to rely on such talent, Narushima is able to deliver a narrative that gracefully moves the spectator and elegantly provokes spectator’s emotions and tears.
To Sleep So as to Dream (Japan, 1986) [JAPAN CUTS 2021]
Jason Maher reviews Kaizo Hayashi's debut feature To Sleep So as to Dream.
Amiko Wins Obayashi Prize at 2023 JAPAN CUTS
Prize introduced in 2020 is awarded an independently produced narrative feature from an emerging filmmaker.
Japan Cuts Announces Lineup for 2021 Hybrid Edition
In-person & online Aug. 20 – Sept. 2
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Hiroku The Goblin (1991) review [Japan Cuts 2021]
‘A classic that offers an unforgettable experience that is as touchingly lighthearted as is it disturbingly horrifying.’
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Mari and Mari (2021) review [Japan Cuts 2021]
“A beautiful narrative that seems to bear no relation to our romantic life at first, but ultimately hits close to home.”
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Spaghetti Code Love (2021) review [Japan Cuts 2021]
“Maruyama’s narrative speaks powerfully to the spectator’s subjectivity – his fears and hopes – and enables his evocation of a glimmer of hope that remains present in this…